Do you want some QR codes that you can really sink your teeth into? I am sorry, that was a really horrible pun, but I could not resist with these two candy codes. The first is a code made out of Frisk Mints, the most popular brand of mints in Japan, made as an example of the possibilities of “built codes” by SET out of Japan, who are probably the premiere custom/designer QR code creating company, who we have featured before here on D-Build. Below is a video showing them making the code, which when snapped, resolves to SET’s website.
After revolutionizing the way in which QR codes are used with the “designer” code, SET is now promoting the use of “built” codes made from real objects. These codes offer brands a unique opportunity to incorporate them into outdoor stunts and events, allowing the consumer to truly interact with the code in fun and exciting ways.
What is nice to see is that this is extending past the realm of marketing, and has entered the realm of product hacking.
This video is very in line with what M&M and Mars would want you to associate with their product, where is it is used to make a self-referential code, but it is easy to see how this could be used in ways contrary to the company’s ideal image. A pretty basic but clear example would be making a QR out of candy that resolves on an article about childhood obesity, or clothing arranged to lead to information about sweatshop labor. Of course there are other, more conventional uses, such as working a QR code into the tilework at a subway station that could lead users to the transportation website for schedules or delays. It would be amazing to see an internet meme start based around creating built QR codes, and I could actually imagine it happening.












The Wilderness Downtown
Image via Fast Company
We shall now take a musical interlude, courtesy of The Arcade Fire, and all you will need is Google Chrome and your childhood address. While it is being said that Lady Gaga has been saving the art of the music video (though in my opinion that credit should be given to OK Go), The Arcade Fire, in collaboration with Chris Milk and Google, is instead taking the music video to the next level, and while showing some Flash-killing, HTML5 prowess in the process. The interactive video, titled The Wilderness Downtown, is for the song We Used To Wait, a single from their new album The Suburbs, a concept album dealing with the idealized, nostalgic view of our childhood homes that are now literally or figuratively crumbling.
Where this video takes a departure from previous work in the genre is the integration of personalized information, interaction, aggregates content from public databases, and blends it all beautifully across multiple windows that dance around, appear and disappear, and elicit user participation. Only so much can be gained by me describing the video, what you really need to do is experience it yourself (after downloading Google Chrome if you have not already), and visiting thewildernessdowntown.com. Here are some handy tips from Fast Company about how to get the most out of the experience.
If you are wondering what this could possibly have to do with taking down a distressed property and reclaiming the materials, just imagine watching this video, but with the added text entry at the beginning of a year, and not just seeing your childhood home, but the change of it from as it was then, to as it is now, and what may happen to it in the future. The immersive, personal experience could not just be used to make music more powerful and personal, but could be used to help foster personal connections with other media and objects. It is also a great example of the potential of HTML5, and the power it has to use public information, and seamlessly integrate it into another context, and could be a great tool for storytelling.
Via Fast Company